Archive for

November, 2009

...

Using the Curves Dialog Box

Comments Off

Photoshop Elements 5 has a new feature for using Curves; however, the Curves commands in Elements are a very simplified version of the Curves

294

Part V: The Part of Tens

Tools that appear in Photoshop. In Elements, you’re limited to preset Curves adjustments for controlling brightness and contrast. In Photoshop, you have the control that changes tone levels along the 256 distinct grays in an image, in all three channels.

Having the control over the tone points in your images lets you fine-tune adjustments for lightening and darkening an image and adding or reducing image contrast. There’s really no substitute for Curves adjustments when you’re color cor­recting images and adjusting tone levels for brightness and contrast adjustments.

You can open Curves by selecting ImageOAdjustmentsOCurves or create an adjustment layer in Photoshop and select a Curves

Adjustment layer. When the Curves dialog box opens, you see the options shown in Figure 16-1.

Figure 16-1: The Curves dialog box in Adobe Photoshop.

From the Channel drop-down menu, you can select the RGB channels, as well as the composite RGB channel. Click the curve line to plot points and move those points up, down, left, and right to make tonal adjustments.

Curw

A

{ Cued )

( 1MB – 1

( Sm.. )

/

( M. { Outlaw )

S / ;

/

"&

Ms

OulPM 104

A

Generally, Curves settings are con­fusing to the most advanced user, but you can easily understand Curves with a little study. You use six primary Curve shapes to make some brightness and contrast adjustments. The six basic shapes include

U* Darken: Note the gradient along the left side of the dialog box where white appears at the top. To darken an image, click the center of the diagonal line and move the point toward the black end of the gradient (down). This move darkens the overall image. (See Figure 16-2.)

Figure 16-2: Move the center point black end of the gradient to darken

Toward the the photo.

295

Chapter 16: Ten Reasons to Upgrade to Photoshop

I^ Lighten: To lighten an image, plot a point at the center of the diagonal line and move the point toward white (in the opposite direction you move the point to darken the image). See Figure 16-3.

W* Darken with more contrast: To add more image contrast while darken­ing a photo, first click to plot a point in the top-right corner to anchor the curve. Then plot a point in the lower-left corner and move that point as shown in Figure 16-4.

Figure 16-3: Move the center point toward the white end of the gradient to lighten the photo.

Figure 16-4: This curve darkens a photo while adding more contrast.

296

Part V: The Part of Tens

I^ Lighten with more contrast: Plot a point in the lower-left corner and move the top-right point left to lighten the photo while adding more contrast, as shown in Figure 16-5.

W* Darken with less contrast: Plot a point in the lower-left corner and move a point in the top-right corner down to darken the photo while reducing contrast, as shown in Figure 16-6.

I^ Lighten with less contrast: The last basic curve adjustment uses a point plotted in the top-right corner, and the lower-left point is moved up, as shown in Figure 16-7, to lighten the photo while reducing contrast.

CurVtt

CM

1-!«

Tf

£

»

-

{ CUKU )

/

( l"d_ 1 ( k» )

< *•» ~i St*

-

/

F

In

ZZ\ ~

U

Figure 16-5: This curve lightens a photo while adding more contrast.

CiiftM

Ciwvhu Ta

9

{ CHOI )

( L»d – 1 ( Sm.. )

,,-

Y

1

( Oetltm. )

S > ;

S

A

1

Comments Off

Using Filters

Comments Off

Some cameras have lighting controls that help you balance lighting for differ­ent white balances, such as fluorescent lighting. Some cameras don’t have the settings needed to make the proper adjustments for accurate white points. If you have problems balancing lighting, you can purchase a filter to correct white balance. For an inexpensive solution, follow these steps:

291

Chapter 15: Ten Tips for Better Tone and Color

1.  Visit an online photo supplier and look over the filter options they offer you. Find the filter you need to control the white balance for your photo shoots.

A number of filters are sold as gels that you can cut and tape over your camera lens. These are much less expensive than glass filters you screw onto the lens.

2.  Cut a piece of the gel and tape it over your flash, as shown in Fig­ure 15-3 — or when shooting outdoors, tape the gel over your lens.

Figure 15-3: A gel taped over a flash to correct for white balance.

3.  Make several test shoots at different exposures to determine exposure compensation.

4.  Open the photos in Elements.

5.  Record the exposure settings that produce the best results and use these when shooting in similar lighting conditions.

292

Part V: The Part of Tens

Comments Off

Editing for Content

Comments Off

Not all the content of a photo will always be important to you. You might have areas of a photo that appear overexposed or underexposed that don’t detract from the main subject area. This is especially true with photos having overexposed backgrounds. You can target just the important content areas for your tone and color adjustments and reduce the distracting portions of the photo with some simple edits. Try following these steps when you have photos with uneven lighting:

1.  Determine the important part of the photo.

If you have a subject in the foreground that’s the most important part of the image, focus your edits on that portion of the image.

2.  In Photoshop Elements, open the Levels dialog box and press the Alt/ Option key as you drag the black-and-white sliders to adjust the tones.

Disregard the distracting portion of the image and look for the first appearance of black and white only in the content you’re interested in to set the black-and-white points for the important content.

3.  Correct color for skin tones or other matter using the Hue/Saturation and Levels tools.

Don’t worry about the distracting background colors. Just focus on your important subject matter. Chapter 9 covers correcting skin tones in more detail.

4.  Create a selection on the background.

It might be easier to first create a selection on the foreground, and then inverse the selection for the background.

5.  Add a slight blur (FilterOBlurOGaussian Blur) to the background to diffuse it.

The foreground subject appears more prominent in the photo.

Comments Off